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Salsa Rueda Moves
Hablamos Rueda!.


 

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Basic Arm Positions
Name of Position
Description
guapea position/
parallel arms
(Left to Right) and (Right to Left) Leader is on the Right side of Follower and for this position the Leader and Follower are facing each other holding hands around waist level.
pa'l medio position The Leader is on the Left side of the Follower and the Leader and Follower are facing each other. The Leader has the Right Hand behind the back of the Follower, Follower’s Left Hand is on the Right shoulder of the Leader. The Leader is holding the Right Hand of the Follower with elbows bent upwards and palms and elbows are touching. You should be making an "L" shape with your arms.
cross handed Couples facing each other, arms crossed with Right Hand's on top.
sombrero arms Couples are side to side and Leader is to the Left of the Follower. Leader has Left Hand behind own head holding Left Hand of the Follower. Leader also has Right Hand behind the head of the Follower holding the Right Hand of the Follower.
gancho Leader's elbow comes up and over the upper arm of the Follower. (Left to Right) or (Right to Left). From the gancho position never lead a turn by pushing from your elbow. Lift your elbow and lead with your hand.
Basic Turns
Name of Turn Description
Right turn The Leader or Follower turn towards their Right shoulder.
Left turn The Leader or Follower turn towards their Left shoulder.
Double turn Two turns instead of one.
Cross body lead - CBL Follower begins on the Right side of the Leader. Leader leads Follower to do a Left Turn crossing in front of the Leader switching sides.
Right pivot turn - RPT Step the Left Foot into the circle on beat 1 and turn a quarter turn to the right while leaving your Right Foot on the circle line. Your Right Foot will pivot slightly to the Right, hence the name of the turn. Your quickly shift your weight to the Right Foot so that by beat 2 you are turning to your Right with your weight on your Right Foot which is on the circle. To finish the turn you spin to the Right on your Right Foot so that on beat 3 you can shift your weight onto your Left Foot as you are facing the inside of the circle.
Left pivot turn - LPT Same as above except you begin with your Right Foot and turn to the Left.
Description of Basic Moves
Following describes basic Salsa moves Casino Rueda style.
Name of Move Description
pa'l medio P'al medio position. Together the couples lean outside the circle while tapping their inside toes on beat 1 and then inside the circle on beat 5 while taping their outside toes.
caminamos (pa'arriba) Using pa'l medio position the couples are "walking" counter clockwise around the circle. The Leader is going forward and Follower is going backward.
caminamos (pa'abajo) The same as above only the couples are moving clockwise around the circle. The Leader is moving backward and the Follower is moving forward.
un tarro (hombres, mujeres) While doing caminamos pa'arriba the Leader moves ahead on the inside of the circle to the next Follower while the everyone continues to move in the same direction. While doing caminamos pa'abajo the Follower advances to the next Leader moving around the outside of the circle.
dos tarros
The same as the previous move except the Leader or Follower advance two places instead of one.
una mentira From the guapea position the Leader does a Right into the circle under their own RA then returns to the Right side of the Follower.
llevala pa'abajo Begin in pa'l medio position. Instead of the basic salsa step the Leader crosses in front of themselves on 1 & 5 towards the Follower. The Follower crosses in back of themselves on 1 & 5.
Exhibela Begin in pa'l medio position. The Leader leads the Follower with Left Hand in a RPT into the circle. The Leader can give a gentle push to the Leader shoulder of the Follower to indicate that the turn is to be done into the circle.
dos y una Three exhibelas in a row.
dile que no (dqn) Begin in pa'l medio positon. The Leader steps with their LF into the circle slightly towards the F on 1. The Follower steps back at the same time with the RF. The Leader leads the Follower with the RH behind the waist. In a full turn to the Left crossing in front of the Leader, The Follower should end up on the Left side of the L.
guapea Parallel hands, Leader on the Left side of the F, couples are facing each other. On beat 1 both Leader and Follower release the inside hands and step outside of the circle. Simutaneously the Leader leads the F's Right Hand in a swinging motion toward the outside of the circle. On 2,3 & 4 both Leader and Follower step back onto the circle line and on beat 5 they both step toward each other and meet the palms of the hands.
suena This literally means sound. Basically everyone stamps their inside feet on beat 5 into the center of the circle and holds for 2 counts.
con bulla Suena done w/ a shout.
dame (una, dos, ...) Dame is when the Leader advances to the Follower to the Rt. Both Leader and Follower use the footwork for dqn.
enchufla From guapea the Leader steps back on 1 and leads the Follower w/Left Hand in a 1/2 LT crossing in front of Leader. On 5,6, 7 the Follower stays in place while the Leader passes in front to the next Follower.
enchufla pero no dqn This is enchufla w/o the dqn. After the turn the Follower remains to the Right of the Leader. The Leader leads the Follower in caminamos.
enchufla doble Just like enchulfa except instead of directly moving on the next person the Leader leads the Follower back under their Leader arm on 5,6,7. From there do regular enchufla.
enchufla p'al medio con dos Begin like enchufla. On 5,6,7 the Leader begins to pass in front of the F. The Leader lets go of the follower’s hand and on beat 1 claps 2X into the circle while traveling to the Right side of the Follower. On beat 1 the leaders are stepping into the circle w/ the LF and the Follower's are stepping back on their RF. When the F's enter the circle on beat 1 they also clap twice. After that everyone continues to go in and out of the circle, Leaders's and Follower's alternating places until the next call.
Name of Move Description
festival de enchufla (con vuelta) Three enchuflas in a row. On beat 1 of each cycle as you begin the dqn you clap. First time you clap once, the second time clap twice, and the third time you clap three times.
dame una con una... (dos con dos) The same as dame except there is a clap on beat 6 right before the dqn. The first number tells the Leader how many F's over and. the second number refers to the number of claps.
la flor Begin w enchufla pa'l medio con dos. L's begin on beat 1 by bringing the arms toward the ground and then raising them up over and behind the head like a blossoming flower as they back out of the circle. On 5,6,7 when the followers are in the circle they begin the same motion.
pasala con los manos All facing the center of the circle, L's and F's alternating places as in la flor but holding hands. After the call the L's go into the circle on 1,2,3 and on 5,6,7 as the L's back out of the circle they lead the F, who is on the Rt. in a LT crossing in front to the other side.
dame con guaperia After quapea L's and F's drop hands and on beat 1. Both step into the circle back to back. Leader use LF and F's use RF. On 2,3 both step back on the circle line. On 5,6,7 both do a pivot turn towards each other. Follower (RPT) and Leader (LPT).
enchufla (con vuelta) Enchufla as usual, but as the L's cross in front of the F's, right before the dqn the Leader does a LT.
pelota loca stamp, clap, /stamp, clap,/ stamp, clap, clap, clap.
Adios After guapea the Leader hold hands (L to R) and turns with the Follower to the Rt. After the Leader goes all the way around with the Follower the Leader goes underneath their own Leader arm. Dame.
adios (con vuelta) Adios as usual just add the LT for leaders.
festival de adios (con vuelta) Adios 3 X with claps and the LT for leaders.
Evelyn Begin (L to R). This is a RHT for the Leader done on 5,6,7. Keep arms low. During the turn the Leader switches hands behind the back to (R to R). Then dqn as usual.
sombrero Begin in cross handed position R hands on top. Leader leads the Follower in a two handed turn to the R crossing in front of the Leader.
medio sombrero Sombrero with one hand.
enchufla y casate enchufla, end with arms crossed in front walking counter clockwise, side to side.
dame con sopresa Regular dame. Then the Follower leads the Leader on 1,2,3 in a cross body lead. On 5,6,7 Leader finishes with the cross body lead.
enchufla pa'arriba Regular enchufla except the Leader moves the Follower on the Leader By 7 the leader should be on the Left side of the new follower ready for dqn.
printable version of
"The Moves"
click here for a PDF file of the moves listed on this page.
 
list of contents                         

 

What is Salsa Rueda?

See also 'History of Salsa'

Rueda
simply means "wheel". Casino refers to the kinds of turns and breaks you might normally see in ordinary partner Salsa Dancing. What makes Rueda unique is that the dancing is done in the "wheel", as a group, with the "followers" being passed in the wheel, rapid exchanging of partners, and many complicated moves -- sometimes done as wheels within wheels -- and all done in time with "hot" Salsa music. Each move, or "call", has a name, and is called by a leader of the Rueda, sometimes in very quick succession. Many of the moves also have hand signals as well as names, in order to be able to dance in a loud club setting. The Rueda can be as small as two couples, or as large as a space can hold -- as many as a hundred couples.
  
When dancing Rueda, there is a new group dynamic that happens. What is not obvious when watching Rueda, is the new level of awareness required to have a group dance flow smoothly, and look sharp AND keep it fun! Dancers learn to open their sphere of awareness, their peripheral vision, beyond the normal restricted "bubble" of solo or partner dancing. In this way, dancers coordinate and adjust their individual feel and timing and style so as to make the Rueda "click". When this happens, it is very exciting indeed! A unique group feeling develops, and you can feel the whole wheel ebb and flow, and "breathe" to this wonderful AfroCuban/LatinAmerican music. The result is an exciting Dance, exciting to do, exciting to watch!

The form of the Rueda -- passing partners in a wheel -- may reflect some influence of French Court Dances (brought to Cuba by Haitians), blended with the Afro-Cuban movements. With Cuban emigration to the US -- mainly into Miami -- the Cuban culture, music and dance blossomed, and, along with Mambo, ChaCha, and "Salsa", Rueda re-emerge and became popular in the Miami clubs in the 1970s and 1980s.

from Russ Hammer and Sidney Weaverling: www.SalsaRueda.com

The Moves by 'Salsa Rueda Santa Cruz'

*Casino Rueda moves (or names) from Havana. Many of these moves (names) may not be called in Miami
The moves are listed in logistical order. E.g. all setenta moves are all in one row.
This list is always subject of change because we ad moves over time.
A printable version is available here

 

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